We place the nose at the heart of our communication strategy, at the core of our cultural centres and towns’ narratives, as well as in accessible cities and training programmes.
We provide the cultural knowledge of smells.
We encourage experiencing the smells we feel, percieve, memorise, name, contextualise, and represent.
Everywhere we go and everything we see evoke the smell of a vivid experience. We look for the best strategy. We recreate those moments belonging to the olfactory memory of art, history and microhistory, anthropology, science and technology. Seductions for knowledge.
The expressions of life entail associations with smells. Olfactory memories stimulate the perception of the exhibited content. Olfactory innovations for museumography tales.
Access officer – Access chain design aimed to include people with differently-developed sensory abilities.
Arts in health – Cultural olfactory inputs, artistic practices within health and wellness.
Sustainable cities and communities – SmellsMap, urbanisation and commitment including ‘urban science’
Ethnological research to understand, define and create
Prototype evaluation where the olfactory experience is analysed
Storytelling
Living is, naturally, a historical process represented by fragile and fleeting organic shapes, moving and floating on a surface.
This phenomenon is a revelation process, as the key to significance is embedded in the way we learn, in the ways of teaching.
Furthermore, we know that this “material of the world” comes from evoking and living collective and personal olfactory experiences.
The world and our brains are connected thanks to the “ecology of the mind”, and the sense of smell is an example of this. We shouldn’t be talking about nature any longer, yet environment only, where we can see ourselves as part of the world rather than something separate from it.
By doing so, anthropological literature, didactics and poetry gather this knowledge, which is the indispensable base for scientifical, technological and social.
“ Cultural smells ” are therefore an opportunity for knowing, and the first testimony to the human component blending with the world.
Creation of Drafts and Executive Projects Text content for museumography, workshops, itineraries, and technological development of venue plans – Design of “Sensorial Modular Olfactory Devices” (SMOD). Content for the chemical design of cultural essences.
Researches – Cooperative Ethnography
Reports – Correlation among methods, objectives, and results as requested by the client
Consultancy and protocols aimed at preserving cultural essences
